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Three Tips of the day!

First consider the size of the painting. The more impressive the subject, the higher the emotions it appeals to, the bigger it is. Religious, mythological paintings are often huge - their massive energy makes you shiver. It is pretty understandable with figurative paintings like Rafael's "The Sistine Madonna", and more subtle with color field paintings of Mark Rothko. People are often overwhelmed with religious tremor in the presence of his artwork, and the size factors in. Also, the subject often calls for larger canvases - battle scenes need space and cannot be fitted into a smaller painting, while some subjects will get lost unless depicted in a smaller size.



second:

And if you are changing colors be sure you and the paint shop are crystal clear on what color they're going to spray. Never just describe the color. You won't get what you want. Guaranteed. If you're not using a factory original color then find out what kind of car the color you want came on. Give the shop a year, model and paint name and then insist on seeing a paint chip. Take the chip outside to see it in the sun light and verify that it's what you want. There's nothing more disappointing then spending all these hours and money only to watch your car come out of the shop the wrong color.



third:

Step five: pick your colors and start applying them to your penciled outlined images...make sure to mix the paints with a little Galkyd. Painting right out the tube is probably a bad idea, and it'll take forever to dry. Mix the Galkyd pretty evenly with the paint until you reach your desired thickness of paint. Less Galkyd keeps the paint thick. More makes it thinner. A safe start for a painting subject is a still life, like a bowl of fruit. No matter what you do...within reason...it'll look cool. You do not have to make a twig brown or an apple red just because nature says so. Use your imagination. Do something different. Collectors over time like to watch you evolve painting by painting anyway. So don't worry if your first painting stinks in your mind. It'll be interesting later once you're great. And by the way, most famous paintings have an under drawing, so they've used this layout technique I mention above. Sorry to tell you, most inspired paintings were planned out with pencil first. They did not happen spontaneously. They were built logically and in a defined order so that the end result looks right.