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In conclusion, this article has really just been a "Painting 101" exercise. I'll be adding more articles on the subject once you get more advanced. It's so rewarding to those who stick with it. My work now sells around the world online. So I'm glad I'm glad I stuck with it. It's been infinitely good to me, I've met the most interesting people....including Madonna! And I am so glad I get to do what I want And ultimately it's so gratifying to leave expressions of myself behind forever. And if the owners then turn around and sell my paintings for a fortune later, then that's the cherry on top for me. I feel lucky to have found my calling. And I hope you find it too. And I hope that every single time you view one of my paintings it brings you a little bit of the amazing joy it brought me when I was creating it.
Mixing. Paste paints, such as aluminum, resin-emulsion, and lead-in-oil, should be stirred with a stiff paddle and reduced to painting consistency with the liquids recommended on the manufacturer's labels.
THE STYLE / MOVEMENT. The fastest way to interpret a painting is to determine what movement it belongs to, or at least what movements and styles influenced the artist. The style influences the choice and treatment of the subject, the color, the perspective and the symbols. Impressionists, for instance, experimented with unusual perspectives - bird's eye or frog's eye; their brushwork is visible and the colors are laid separately to mix in the eye of the viewer rather than on the palette. In impressionism the light is more important than the people it bounces off - quite different from romanticism. In romanticism you have to be a poet, a revolutionary, a gypsy or a vagabond to make your way into the painting - they appreciated the bold spirit, the freedom and the people who were different.